Lydie Auvray - Pure (2004) [DSD 2.0/5.1/2.8 MHz |SACD-R]<Folk, World, Chanson, Accordeon>

Lydie Auvray - Pure (2004)

Год: 2004
Жанр: Folk, World, Chanson, Accordeon
Производитель диска: Label: Westparc Music
Год выпуска диска: 2004
Аудио кодек: DSD 2.0, 5.1
Тип рипа: image (iso)
Битрейт: 2.8 MHz
Продолжительность: 00:48:31

Образ снят: PS3 SACD с помощью Sony PlayStation 3

Трек лист:
1 Für Else
2 Nostalgie de toi
3 Carnaval
4 Le conte de Jean et Jeannette
5 Joschi
6 Feuilles mortes
7 Tivoli
8 El cidre
9 Java en -on
10 Solène
11 Choco Flanel
12 Cristal
13 Jeannot
14 Accordéon
15 Guinguette
16 Mondsüchtig

Код:

PRESS

"With Bonjour Soleil the ‘grande dame of the accordion’ has again set a new standard. Incomparably infectious music that she was able to transport to the stage of the Schauplatz together with her Auvrettes in an effortless and exciting manner."
(Siegener Zeitung)

"Lydie Auvray embodies, like almost no-one else at present, what makes good accordion playing: the pure joy of life."
(Frankfurter Allgemeine Zeitung)

"… Lydie Auvray has accompanists with her who are not only her equals but are congenial as well, and with their play, so harmoniously adapted to each other, it is as if the sun is rising in wonderful sound."
(Kölner Stadt-Anzeiger)

"… enticed not only virtuoso sounds from her instrument at her concert in the Räucherei, but screams of enthusiasm from an audience usually thought to be reserved."
(Kieler Nachrichten)

"This music is timeless and comes straight from the heart. Lydie Auvray with her band, the Auvrettes, sweeps every gloomy thought out of people's heads. A concert to cure winter depressions."
(DB.Mobil)

TRIANGLE – "This is a perfect CD of music for everybody - for a variety of temperaments, for all ages and all occasions. It can be carefully listened to (being a CD which has been produced with much care) or appreciated just as background music, or by paying more attention to the music itself and to the vocals (addressing itself to all adult listeners).
One could call the music "POP" (meaning "popular" music) based above all upon melody. The melody is of great fascination and great communication always guided by the accordion or the great voice of Lydie. In some pieces (for example "Der vierte Mann"), the rhythm and modern setting seem to contrast the prominent melody. Personally I believe that these situations can produce something outstanding with much character. Lydie is a leader: all the art applies to her personality and the sound of her accordion (always equal and steady - as if being her voice), just as well as all her vocals in French language. This has surprised me a lot: as having at her disposal an instrument such as the accordion, Lydie always adopts her tone-colour, that becomes nearly her personal identity of sonority.
One day I hope to be able to meet her personally in order to ask her about this choice.
In this CD, there is also a good part dedicated to the Latin American inspiration; but also in these pieces the "Latin American" melody is in evidence but the base remains always that of a "song". A perfect CD of music for everybody - for a variety of temperaments, for all ages and all occasions.

Время раздачи: 24/7 (по возможности)

Technical notes on recording Lydie Auvray's
As we talked about recording the album "pure", it quickly became clear that this would be a unique recording situation. We wanted the accordion to fill the room with sound and reach the listener personally and directly. We wanted to create the impression that Lydie is sitting next to you and is playing just for you. Since it was clear from the beginning that the recordings would also be released as Surround Sound recording, we placed the microphones in such a way as to create a fairly spatial and natural reproduction of the accordion's sound.
We decided to use a Schoeps MK4 for the direct recording of the treble, two AKG C-414B TL II microphones for the bass (one microphone for the open and another for the closed bellows), two Schoeps MK2 S microphones for the frontal sound (about 1 1/2 meters away) and a Neumann SM69 for the "open room" (about 4 1/2 meters). All mikes were amplified with API 512 C microphone amplifiers. The audio signals were converted directly, using Apogee and RME 24-bit conversion systems, without additional mixing. Thus, during the recording phase we were able to avoid any additional audio processing, such as more mixing, EQ or compression, in order to capture the pure sound of the accordion with its wonderful dynamics, as faithful to the original as possible. We hope you enjoy the music.

Как много букав :шок:

Когда мы говорили о записывании "чистого" альбома, быстро стало ясно, что это будет уникальной ситуацией с записью. Мы хотели, чтобы аккордеон заполнил комнату звуком и достиг слушателя лично и непосредственно. Мы хотели создать впечатление, что Lydie сидит рядом с Вами и играет только для Вас. Так как было ясно с начала, что записи будут также выпущены как запись "Звука вокруг", мы поместили микрофоны таким способом как, чтобы создать довольно пространственное и естественное воспроизводство звука аккордеона.
Мы решили использовать Schoeps MK4 для прямой записи тройного, два AKG C-414B TL II микрофонов для баса (один микрофон для открытого и другой для закрытых мехов), два Schoeps MK2 S микрофоны для лобного звука (на расстоянии в приблизительно 1 1/2 метра) и Ноймана SM69 для "открытой комнаты" (приблизительно 4 1/2 метра). Все mikes были усилены с API 512 усилителей микрофона C. Аудиосигналы были преобразованы непосредственно, используя Апогей и 24-битные конверсионные системы RME, без дополнительного смешивания. Таким образом во время фазы записи мы смогли избежать любой дополнительной аудио обработки, такой как больше смешивания, EQ или сжатия, чтобы захватить чистый звук аккордеона с его замечательной динамикой, максимально верной оригиналу. Мы надеемся, что Вы наслаждаетесь музыкой.

dudulya писал(а):

Как много букав :шок:

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